Entertainment » Movies

McQueen (Ptown Film Festival, Frameline)

by Roger Walker-Dack
EDGE Media Network Contributor
Tuesday Jun 12, 2018

At last, an iconic fashion designer gets a documentary crafted in a style that matches his visionary clothes and is completely faithful to the integrity of his inspirational work. The story of Alexander McQueen as portrayed in this new detailed profile from filmmakers Ian Bonhote ("Alleycats") and Peter Ettedgui (son of legendary UK Fashion Retailer Joseph) shows a unique and remarkably talented genius whose dark side constantly troubled him and finally made him cut his own life short.

Born into a blue-collar family in London's East End, Lee's passion for making clothes - and unusual ones, at that - started at an early age. He served an apprenticeship as a tailor in Saville Row and then applied to Central Saint Martins College of Art and Design to work as a pattern cutter tutor. However, when Bobby Hillson, the Head of the new MA course in fashion design, saw his portfolio, she persuaded him to enroll in the course as a student. In an interview she acknowledges that he had a strong natural talent and they couldn't teach him to design - just give him the wherewithal to help him to use his gifts.

McQueen's Collection in his final year show was bought up in its entirety by Isabella Blow an eccentric aristocrat with a penchant for the avant-garde, and she became one of McQueen's closest friends and biggest supporters. She remained so until she took her own life, just before McQueen took his.

Upon branching out with his own label, McQueen very quickly became known as the "L'Enfant terrible" and "the hooligan of English fashion" for his outrageous styles that literally threw the rule book out of the window and created fashion that London had never seen before. From the very beginning, it wasn't just the outfits in his collections (such as in his second one called "McQueen's Theatre of Cruelty") but also the extravagant theatrical style of his runway shows that turned more than just heads.

Nearly all of his shows have been captured in their full glory on video, which gave the filmmakers a wealth of footage to illustrate McQueen's unadulterated genius. Equally fascinating are the videos that he and his close-knit bunch of friends and collaborators made that show McQueen's thought processes and his obsession with the darker side of life.

These personal videos are particularly fascinating when they record important milestones in his life, such as the surprising offer to be the Creative Director of Givenchy, one of the most conservative (and rather haughty) luxury French fashion houses. They show McQueen and his coterie rather overwhelmed by the grand and ornate headquarters where they were expected to work, and where they seemed to be like fish out of water.

His first collection for Givenchy was not a success, but subsequent ones were - and although his designs for them were more refined, they still had all McQueen's brilliant touches. He is very frank on camera, saying that the vast amounts of money that Givenchy paid him helped finance his own label, which was always his first and last love.

McQueen was openly gay from a very early age, and the documentary includes interviews with most of the men he had significant relationships with, all of whom he had also remained on good terms with. He was also very close to his family, particularly his elder sister Janet and his mother - so much so that his mother's death was a major factor in his depression, and he took his own life the day after she died.

With a stunning Michael Nyman soundtrack, Bonhôte and Ettedgui very rightly allow the clothes and the shows to do most of the talking. There are a few minor diversions, such as how his relationship with Isabelle Blow seemed to get unhinged. Also, how too many people now line up wanting to take credit for McQueen's success; fellow designer and best friend John McKitterick dismisses people's claims that they had discovered McQueen: "McQueen," he said, "had discovered himself."

This exhilarating film focuses on his sheer theatrical genius in ensuring that all his work was introduced to the world in a style that mirrored the clothes. He deliberately shocked and provoked the fashion industry in such a way that they are still reeling from it years after his death. They anointed him British Designer of the Year for an unprecedented four years in a row, and the Council of Fashion Designers of America made him International Designer. Even the Queen honored him with a C.B.E.

McQueen's dark side finally got the better of him in 2010, when he was just 40 years old, and the world lost one remarkable genius, the likes of which we will never see again.


Joan and Joe remain complements after nearly 40 years of marriage. Where Joe is casual, Joan is elegant. Where Joe is vain, Joan is self-effacing. And where Joe enjoys his very public role as the great American novelist, Joan pours her considerable intellect, grace, charm and diplomacy into the private role of a great man's wife. As Joe is about to be awarded the Nobel Prize for his acclaimed and prolific body of work, Joan starts to think about the shared compromises, secrets and betrayals.


Runtime :: 111 mins
Release Date :: Jul 20, 2018
Language :: Silent
Country :: United Kingdom


Director :: Ian Bonhôte
Director :: Peter Ettedgui
Writer :: Peter Ettedgui
Producer :: Ian Bonhôte
Producer :: Andee Ryder
Producer :: Nick Taussig
Producer :: Paul Van Carter
Cinematographer :: alexander alexandrov
Cinematographer :: Will Pugh
Film Editor :: Cinzia Baldessari

Roger Walker-Dack, a passionate cinephile, is a freelance writer, critic and broadcaster and the author/editor of three blogs. He divides his time between Miami Beach and Provincetown.


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